| The Public Paperfolding History Project
Last updated 4/12/2024 x |
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| The Yacht | |||||||
| This
page attempts to record what is known about the origin
and history of the origami design known as The Yacht.
Please contact me if you know any of this information is
incorrect or if you have any other information that
should be added. Thank you. There are many variations of this design. In particular it occurrs with, or without, a colour change. I have included all the various variations I know of on this one page. ********** 1944 As far as I know a version of this design first appears in 'Origami Shuko' by Isao Honda, which was published in 1944, where it is attributed to Akira Yoshizawa.
********** 1951 The sdame design appears in 'Origami to Kirinuki' by Saburo Ueda, which was published by Kokkado in Tokyo, most probably in 1951.
********** Diagrams for a cut version of the Yacht (using the cut to obtain the colour change sail) appear in 'Origami: Folding Paper for Children' by Claude Sarasas, which was first published by Kodansha in Tokyo in 1951.
********** The design also appears: 1959 As 'A Yacht', in 'Pocket Guide to Origami: Bow-Wow Book', by Isao Honda, which was published by the Asahi Origami Club, Tokyo in 1959.
********** As 'Simple Sailboat', in 'Fun-time Paper Folding' by Elinor Tripato Massoglio, which was published by Childrens Press in Chicago in 1959
********** As 'A Yacht' in 'All About Origami' by Isao Honda, which was published by Toto Bunka Company, Limited in Tokyo in 1960.
********** 1964 Two versions of the Yacht appear in 'Secrets of Origami', by Robert Harbin, which was published by Oldbourne Book Company in London in 1964. The design is said to be Japanese.
********** 1965 A version of the design, in which the base is folded backwards to create a stand, appears as 'Sailboat' in 'The World of Origami' by Isao Honda, which was published in the USA by Japan Publications Trading Company in 1965.
********** 1968 The design also appears, as 'Sailing Boat', in 'Your Book of Paperfolding' by Vanessa and Eric de Maré, which was published by Faber and Faber in London in 1968, where it was said to be a traditional Japanese design.
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